Eighteenth-Century Brechtians is a collection of essays by a well-known author on comic and radical political theatre. It looks at stage satires by John Gay, Henry Fielding, George Farquhar, Charlotte Charke, David Garrick and their contemporaries through the lens of Brecht's theory and practice. Discussing the actor mutiny of 1733, theatre censorship, controversial plays and Fielding's forgery of an actor's biography, the book contends that some subversive Augustan and Georgian artists were early Brechtians. Reconstructions of lost episodes in theatre history include a recounting of Fielding's last days as a stage satirist before his Little Haymarket theatre was closed, Charlotte Charke's performances as Macheath and Polly Peachum in The Beggar's Opera and the 1740 staging of Jonathan Swift's Polite Conversation on a double bill with Shakespeare's Merry Wives ... Some documents in this collection offer another perspective on theatre history by employing fiction - speculative reconstructions of Georgian theatre events for which historical facts are scarce or missing.